TUBI FRIGHTFEST LONDON 2026
As the end of summer looms closer, horror fans have a lot to look forward to. The most important weekend of the year that is Tubi FrightFest 2026. Five days of cutting edge horror cinema and live events in the heart of London at Odeon Luxe Leicester Square and the Odeon Luxe West End from Thursday 27th to Monday 31st August. 82 films including a mix of world and UK premieres, retrospective screenings and live discussions on the genre will take place over five screens. As ever Gore In The Store will be in the thick of it with exclusive interviews, reviews and news. Kicking off with the world premiere of Abner Pastoll’s NERVOUS and closing with the UK premiere of Marion Le Corroller’s Cannes Film Festival sensation SPECIES (SANGUINE).
GORE IN THE STORE AT TUBI FRIGHTFEST LONDON
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FRIGHTFEST REVIEWS
KEEP YOUR EYES PEELED FOR SOME EXTREMELY EXCITING AND ENTERTAINING REVIEWS
THE ALICE PARADOX
When a physicist takes a forbidden journey through a wormhole, she’s forced to question everything she knows about the universe and herself. Robyn Fraser reviews the mesmerising, thoughtful and ambitious sci-fi that explores space, time, free will and human happiness on an intimate scale, receiving its World premiere at Tubi FrightFest
BIG BABY
A struggling LA-based scriptwriter’s latest horror creation begins bleeding into reality in this smart, self-aware slasher, as a killer in a baby mask called Big Baby sets out to murder those who tormented him as a child. Packed with surreal moments, campy kills and a likeably flawed Final Guy, this is a playful exploration of horror, creativity and the frustrations of trying to come up with an original idea.
Nina Romain reviews this quirky, blood-soaked and increasingly surreal slasher, which delivers the meta goods but could do with some serious trimming - and perhaps a bloodstained sequel.
BLOOD SECRET
Tubi FrightFest 2026 serves up a deliciously dark, claustrophobic thriller where two old friends, a mysterious death and messages from beyond the grave lead to a very bloody girls’ night in.
Nina reviews this kitchen-sink horror that needs to get to the kills, but plays neatly against familiar genre stereotypes.
