TUBI FRIGHTFEST LONDON - UK PREMIERE: YOU ARE THE FILM - A struggling playwright takes a trip to the cinema to watch a film about a struggling musician who decides to watch a film about a struggling playwright and multiversal madness ensues. Iain MacLeod reviews this offbeat Japanese comedy that somehow pulls in yakuza flicks, sci-fi sagas and a stealth Ardal O’Hanlon cameo that received its UK premiere at Tubi FrightFest London.

TUBI FRIGHTFEST LONDON - WORLD PREMIERE: SPIDER ISLAND - A host of influencers descend onto a secluded tropical island to spread the word online, but the island's original inhabitants, of the eight legged variety, have other ideas. Iain MacLeod reviews Christopher Smith’s fun creature feature which received its world premiere at Tubi FrightFest London 2026.

TUBI FRIGHTFEST LONDON - WORLD PREMIERE: NERVOUS - Abner Pastoll returns to FrightFest with his latest film NERVOUS, receiving its World Premiere as the opening film of Tubi FrightFest 2026. Iain MacLeod reviews the tale of a troubled woman in South Korea, suffering from a curse that blocks out male voices, leading her on a hallucinatory journey both visual and sonic that threatens her sanity and so much more.

The classic tale of everyone’s favourite vampire is given a contemporary, L.A. twist in Chris Schwab’s unique spin on the character. Iain MacLeod reviews this short yet distinctive tale that injects new blood into an old, old favourite.

Shot in just nine days in director Carson McKinnon’s hometown of Salt Lake City, this small-scale psychological horror delivers an intense and unsettling portrait of teenage oppression. Caylee Cowan excels as Casey, a sheltered aspiring artist trapped under the relentless control of her embittered mother, played brilliantly by Tara Janae Smith. With striking visuals, claustrophobic tension and a darkly disturbing atmosphere, Steven West reviews this compelling tale of a young woman beginning to discover a world beyond her mother’s control. 

Sam Cornell works as a crisis manager for a tech startup specialising in accommodation rentals on the verge of a very lucrative investment deal. When a customer is sexually assaulted in one of company's accommodations, Sam is called in to do damage control and make sure that no scandal affects the upcoming deal. But what she thinks is a delicate but cut-and-dried job soon spins out of control.

Robyn Fraser reviews this fast-paced and exciting thriller that cleverly uses found footage to explore misogyny, conspiracy theories, corporate greed and our struggle to understand who, exactly, is running things.    

A cursed karaoke machine provides much in the way of blood and laughs as an unwitting covers band discover they have to sing for their lives. Steven West reviews this blood drenched, singalong comedy which just received its world premiere at Tubi London FrightFest.

A bunch of unsuspecting teenagers come face to face with an axe-wielding maniac wearing an alligators face in GATOR FACE. Iain MacLeod reviews this pleasingly unpretentious slasher throwback that willingly and lovingly indulges all the tropes of the sub-genre in pleasingly bloody and nasty fashion.

The Adams Family return with a doom laden tale set at the end of the world, where a grieving Sheriff struggles to deal with an increasingly Hellish day where the dead won’t stay dead, fleshy monsters stalk the woods and no-one can get a cup of coffee. Iain MacLeod reviews yet another distinctive film from the most reliable family in horror that is as funny as it is doom-laden.

A naïve young animal rights activist finds herself caught between a radical army of activists and a vengeful pig farmer when a midnight protest spirals into a bloody nightmare. Martijn Smits’ unsettling horror turns the tables on both sides, creating a disturbing world where humans and animals are equally savage and disposable. Nina Romain reviews this graphic and thought-provoking Dutch horror that guarantees you’ll never look at a bacon butty the same way again.

A vengeful spectre stalks a corrupt Indonesian prison in Joko Anwar’s gleefully gory mix of extreme horror, absurdist comedy, political satire and unexpected dance numbers. Iain MacLeod reviews one of the festival’s most inventive, outrageous and accessible films, which delivers both skin-crawling scares and spectacular splatter.

A young brother and sister raised entirely within the confines of a futuristic house begin to question not only the nature of their existence, but each other as well in Casey Walker’s small scale sci-fi fable with big ideas. Iain MacLeod reviews this impressive and paranoid futuristic drama that receives its international premiere at Tubi FrightFest.

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