REVIEWS

Cinema, Blu-ray/4K, Streaming and VOD Releases - Reviewed By Fans For Fans

In Cinemas Iain MacLeod In Cinemas Iain MacLeod

DISCLOSURE DAY

DISCLOSURE DAY - Steven Spielberg’s much anticipated return to sci-fi and alien encounters fails to capture the magic of his earlier classics. Iain MacLeod reviews and finds a film that fails to capture the imagination of the viewer in several ways and feels completely irrelevant to today's film blockbuster landscape.

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In Cinemas Iain MacLeod In Cinemas Iain MacLeod

OBSESSION

OBSESSION - Be careful what you wish for as a young man's crush on his best friend takes a truly unsettling and terrifying turn in Curry Barker’s OBSESSION. Iain MacLeod reviews the film that will please his online fans as well as a new legion who will find much to admire in this expert mix of cringe inducing comedy and truly unnerving horror.

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In Cinemas Iain MacLeod In Cinemas Iain MacLeod

BLACK PHONE 2

The Black Phone rings once more as The Grabber returns to wreak vengeance on teenagers Finney and Gwen as they investigate a series of disturbing murders from the past. Iain MacLeod reviews the sequel that delves fully into the supernatural and proves to be more satisfying than its predecessor.

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In Cinemas Iain MacLeod In Cinemas Iain MacLeod

M3GAN 2.0

M3GAN 2.0 - The internet’s favourite dancing killer robot returns in a sequel that delivers more of what made her so popular while taking a page out of the TERMINATOR 2 playbook with added action and a winning sense of humour. Iain MacLeod reviews this surprisingly superior sequel.











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In Cinemas Iain MacLeod In Cinemas Iain MacLeod

Y2K

Y2K - Ready to party like it’s 1999 again? Then maybe best avoid Kyle Mooney’s Y2K. Iain MacLeod reviews this squandered opportunity that fails to make anything of its premise as both a comedy-horror and an exercise in nostalgia.






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In Cinemas Chris Ward In Cinemas Chris Ward

WOLF MAN

Leigh Whannell attempts to upgrade another Universal Monster for the 21st century. Christopher Abbott takes on the role of a family man struck by the curse of the wolf.

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In Cinemas Kim Coutts In Cinemas Kim Coutts

THE FRONT ROOM

Brandy Norwood returns to the big screen in Sam and Max Eggers' directorial debut about an old racist woman with dark intentions for her unborn grandchild.



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