THE ARBITER – Director Marc Price returns with a quirky Brit action comedy that makes its World premiere at FrightFest this weekend.  Nina Romain head to FrightFest to check out this  chaotic burst of parkour fuelled, rollerskating mayhem, complete with ice cream trucks and cartoonish carnage.

DEATH CYCLE – Gabriel Carrer returns in high style, blending giallo inspired visuals with leather clad killers and brutal, head stomping violence. Iain MacLeod reviews this bloody and stylish slice of revenge cinema, packed with inventive kills and colour drenched cinematography, and strong performances, making its World premiere at FrightFest this weekend. 

MALPERTUIS - Harry Kümel’s dark fantasy horror makes a long overdue return to screens this weekend at FrightFest in a 4K Remaster. Iain MacLeod reviews this lost classic that more than impresses with its occultist leanings, fantastical designs, striking cinematography and so much more.

JIMMY AND STIGGS - Joe Begos returns in high style, directing and starring in a psychedelic alien abduction set entirely within his own apartment. Iain MacLeod reviews this chaotic and abrasive slice of horrifically funny, sci-fi madness achieved entirely with astonishing practical effects and clever filmmaking making its UK premiere at FrightFest this weekend.

DAUGHTERS OF DARKNESS - Newly remastered in 4K, Harry Kümel’s vampiric masterpiece returns to screens with Delphine Seyrig’s iconic performance as wicked as ever. Iain MacLeod reviews this true classic of the vampire genre, fresh from its FrightFest UK Premiere of the 4K restoration this weekend.

BLOCKHEAD - Documentary filmmaker Matt Harlock makes his feature debut with BLOCKHEAD, a psychological look at a young author overcoming writer’s block with help from an unlikely source who may not have his best interests at heart. Iain MacLeod reviews this challenging thriller receiving its world premiere at FrightFest.

SELF-HELP - Erik Bloomquist turns his directorial style to psychological thriller with this tale of a troubled teenager discovering she may be in over her head investigating a sinister self-actualisation group where the manipulative leader has also romantically ensnared her mother. Iain MacLeod reviews the film playing at FrightFest this weekend with its international premiere.

BLOOD SHINE - Emily Bennett stars and co-directs this folk-horror tinged character piece of a cult-member holding an unsuspecting film director captive for a sinister other-worldly aim. Iain MacLeod reviews the film which receives its world premiere at FrightFest.

MARSHMALLOW – Daniel DelPurgatorio’s directorial debut takes summer-camp horror to unsettling new heights. Iain MacLeod reviews this creepy, sci-fi-tinged tale of camp legends, body horror, and sinister surprises, where nothing is as innocent as it seems.

THE TOXIC AVENGER UNRATED - Finally unleashed onto cinema screens after sitting on the shelf for over two years, Macon Blair’s remake of the immortal Troma hero stars Peter Dinklage in the title role. Iain MacLeod reviews to see if the wait was worth it in this gory unrated cut that received its English Premiere at FrightFest this weekend.

Eric Owen makes a bold leap from horror to a lean, mean neo-noir thriller with IN A COLD VEIN.  With dark Texan landscapes, bursts of violence, and a conflicted anti-hero at its core, this is a must for crime fiction fans.

Iain MacLeod reviews Owen’s Texas noir, which receives its World Premiere this year at FrightFest. 

TRANSCENDING DIMENSIONS - Toshiaki Toyoda’s trippy sci-fi dazzles and amuses the viewer with its mind bending story of sorcerous monks, hitmen and how to get to the end of the universe. Iain MacLeod reviews this ready-made slice of cult Japanese cinema that received its UK Premiere at FrightFest.

THE DEGENERATE: THE LIFE AND FILMS OF ANDY MILLIGAN - Chaotic, raw, unforgettable. Milligan’s films always stand out. Grayson Tyler Johnson & Josh Johnson explore the life and legacy of this 42nd Street auteur, with insights from Jimmy McDonough + and rare interviews that paint a vivid portrait of this cult auteur.  

Iain MacLeod reviews this deep dive into one of genre cinema’s most divisive figures, receiving its UK Premiere at FrightFest.

DOG OF GOD -  From the country that brought us FLOW comes another animation that couldn't be more different, or downright filthier in every sense of the word. The most visually distinctive film of this years FrightFest, Iain MacLeod reviews this dark fantasy rooted in fact that is also reminiscent of the dark fantasy films of the 80's.

COGNAITIVE - Tommy Savas’ sharp, bloody & darkly funny sci-fi horror comes to FrightFest for its UK Premiere.  IainMacLeod reviews this slasher with a digital twist.

HEARTS OF DARKNESS: THE MAKING OF THE FINAL FRIDAY - Receiving its world premiere screening at this years Glasgow FrightFest, this documentary examines the story behind the divisive ninth chapter of the Friday the 13th franchise. Longtime fans of Jason may find themselves satisfied but Iain MacLeod wonders if there is much else on offer for everyone else.

THE DOOM BUSTERS - Keep calm and slaughter aliens. A small group of Home Guard soldiers soon find themselves in the thick of a different kind of action as a bloodthirsty alien turns a small village into a hunting ground. David Gelmini reviews this melding of British comedy, war pic and sci-fi that recently received its world premiere at Glasgow FrightFest.

THE LAST SACRIFICE - Rupert Russel’s documentary takes a look at the 1945 murder of Charles Walton, the last suspected ritual murder in the UK and its influence not only on folk horror but British culture itself. Iain MacLeod reviews this entertaining and chilling documentary that received its UK premiere at this year's Glasgow FrightFest.

RUMPELSTILTSKIN - This year's closing film at Glasgow FrightFest, with a digital release in April, gives the fairy tale of a malevolent imp a folk horror edge. Iain MacLeod reviews Andy Edwards sinister and fantastical spin on the evergreen bedtime story that gets a clever expansion.

One of the best films from FrightFest, this neo-noir/horror nightmare reveals an American nightmare lurking under the white hot sun.